The Pen and Paper Chronicles

First Person Dispatch at Matador Change

February 9, 2010 · 2 Comments

Thanks to Matador Change for publishing my piece on Why we should bring the ‘Teach English’ phenomenon home“.

I had the best time writing this article, and it’s so “me”–it’s something I truly, truly care about and feel that everyone should read/participate in at some point in their lives. Also, if you want some insight into my writing style–both narrative and research-wise–I believe this piece coalesces hard facts, a couple moving anecdotes, and straight up persuasiveness. (At least that’s what I was going for…don’t burst my bubble if I’m wrong!).

:)

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Feedback wanted from writers, bloggers, creative professionals, and YOU.

February 3, 2010 · 9 Comments

If you’re here, then you obviously know this much: I love to write. I do it here, and I do it elsewhere. I’ve been writing for…well…the better part of 22 years of my life.

A life as a writer isn’t easy–financially or professionally. It’s difficult to get noticed! It’s difficult to succeed! It’s difficult to get hired! But most of all, it’s difficult to keep going when you’re struggling with all of these so-called difficulties.

But, I’ve been having some luck as of late. Okay, it’s not as if I’ve been discovered and am now writing a column for National Geographic. Far from it. But I’ve had my first travel article published on Matador Goods. I won a 3rd place award in the Transitions Abroad 2010 Travel Narrative Writing Contest. I’ve had two other pitches written and accepted by sites of Matador Network. I’ve submitted one of those pieces, and am really happy with how it turned out. As I work on the second–a much more personal narrative–everything is falling into place.

I feel like I’m finally writing what I want; I feel more comfortable with travel writing and its counterparts than I ever did with political journalism–a form I felt pressured into considering my academic focus in Peace and Conflict Studies, what turned out to me an amalgam of Political Science, International Relations, and Anthropology.

Politics do interest me, but because of their power to induce change. I am interested in people, places, and how the two intersect. I see articles crouching in the streets as I walk to work everyday. I wake up in the middle of the night, my mind flooding with ideas. I look people in the eye when I meet them, wondering if they have a story worth telling to the world.

And I love it. I just love it.

But that’s besides the point.

I recently decided that I should take the small pot of money I won from Transitions Abroad and reinvest it in myself. But why stop there? The money from my first two pieces on Matador deserve in on the potential project, too.

As I was further considering this investment, I started making a mental writing/travel wish list. Here’s what I came up with:

  • Enrollment in MatadorU and other writing courses, including one that will provide me with an outlet to write and perfect 1-2 pieces that could be used as a sample for MFA programs next year (note: this will likely need SERIOUS and harsh criticism by many readers)
  • A more professional looking portfolio site to compile all of my writing clips on – already bought the domain name through wordpress, but have atrocious HTML skills and would need help from friend/acquaintance/friend of a friend who isn’t unreasonably overpriced (is this friend you? email me! alyssacmartino@gmail.com)
  • A new digital camera
  • A trip somewhere spectacular (unaffordable w. my current budget, but could save up for one day down the road…?)
  • Photoshop software
  • *Also open to any of your suggestions* What’s a good investment you made in your own travel writing future?

Which would YOU splurge for? I will really listen to your suggestions because in general, I tend to be horribly indecisive. And don’t you Matadorians feel pressured to ’sell’ because I’m obviously enrolling whether it’s tomorrow or next week :) Keep in mind that sample needs to get done, and soon, and that it has a rather large impact on my future (re: no decent sample, no chance at being accepted to school for fall 2011).

Also, I realize the controversy over the question–”does the design make the blog, or the quality of writing?”–that I’ve slyly skipped over elaborating upon here….Obviously I feel strongly about content, but also understand that good design is important in pulling people in, seeming professional, etc.. But really, that’s a topic for another post altogether!

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Why our word choice matters…in a big way

January 30, 2010 · 4 Comments

“Stranger” is not a kind word.

This occured to me two weeks ago, as I was calling a friend just that. The term may be meant lightheartedly. As in “hey, where you been lately?” As in, “it’s nice to see your face again.” As in, “I’ve missed you…”

Yet, this is not the sense I’ve had in recent usage. In the two syllables of “stranger,” we may intend joy or endearment, but for some reason, the words burn accusatory holes, searing the skin and memory with negative feelings. A simple, “hey stranger…”  acts like a spotlight on what someone has missed, a testament to days gone by and momentous occasions grazed over without a care or passing thought.

Still, I find myself calling friends and loved ones–even acquaintances–”strangers” often. I don’t mean it as an attack; but the instant the words come out, I feel ashamed. I want to snatch the senselessly cruel letters up from the free air and swallow them up like comfort food–that pumpkin cheesecake my Dad makes every thanksgiving with the pecans radiating out from the center.

*

Words–whether we like it or not–are part of us. They are our kindness, our flaws. We are what we choose–both in bouts of wisdom or when we lack it. We craft sentences with the same cautiousness or hastyness involved in choosing who to love. And likewise, we just can’t help what may result: the alphabet splashing, like a flood of emotional fulfillment, onto a page without warning or restraint. It’s both easy to be swept up by these moments, and difficult to think twice of them. They are a normalcy of human interaction; they are the opposite of transient.

Words also divide. Some words are MEANT to harm. This saddens me, as words are such a big part of a writer’s life. And while it’s difficult to imagine someone using words for harm, this too is part of their nature. You take the good with the bad, as in all of life.

And afterall, it all means nothing without intention.

*

Via FutureAtlas.com

A few years ago, I wrote a research paper on “genocidization.” This is the act of naming something a genocide. The topic was fascinating.

In “The Politics of Naming: Genocide, Civil War, Insurgency,” Mahmood Mamdani explains that naming a conflict a “genocide,” has specific consequences, as in creating two opposing groups of absolute evil or absolute good. This is almost never the case. I can recall few examples since Nazism without some blurred distinctions, without immoral transgressions on each side.

Naming a genocide also invokes a certain call to action–who ignores genocide? who ignores mass extermination? I suppose in these scenarios, genocidization can be useful in sparking much-needed humanitarian aid. Words can be used for good–but does this make it right?

From something as tiny as calling someone who is really a friend a stranger, to as large as deeming a genocide, language–our specific, concrete word choice–has very significant effects: both good AND bad.

I want to remember that as a writer. I want to remember that my words are potentially loaded.

*

A roommate used to make fun of me for overediting. But I think it’s only because of the persistent, nagging feeling that every choice we make has unforseen consequences–even the stringing together of words, as if balancing them on a beam, not wanting them to come crashing into the fire below.

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Words worth sharing

January 27, 2010 · Leave a Comment

Stop being so damned dainty and polite. Treat writing like your lifeblood instead of your livelihood.

via Ted Genoways in Mother Jones circa Jan/Feb 2010

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Mind bits from a mindless weekend

January 26, 2010 · 9 Comments

There’s so much going on. And so many empty spaces. Still, even the words from a blurry week ring clearly…

*

“You haven’t blogged in forever,” she told me.

But what can follow this?

Soon, she’ll lend her voice to a CD recording of–what did she call it? indie, rock, folk?–that I will purchase, no matter the cost. She likes law school, but she loves singing, and because of that, we’re timelessly linked together as essential encouragers, listeners, eyes, ears.

*

“You really want to be a writer, don’t you?”

I had just scarfed down a piece of filet, shoestring potatoes and cream of spinach on the side. My stomach was tight, but I couldn’t tell if it was the food, the comment, or the impending extraction of my wisdom teeth. Either way, I sat on that chair– which was uncomfortable, like bones protruding into my lower back–in the corner of the cafe bathroom for minutes, slouching over, trying to let the butterflies sink right out.

*

“I printed out both your pieces and read them while I was alone and scared in a Bangkok hotel on my first night,” she writes to me in an e-mail.

I like that my words have traveled halfway across the world with you. I like that YOU have traveled halfway across the world. I wish I could be there — but I guess now, in a very small way, I am.

*

I know this post is jumbled, and will make little sense to many. But consider it a tribute to my weekend on copious amounts of painkillers. I’ll roll out something more legitimate and coherent later this week.

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Why Social Media Rocks

January 14, 2010 · 2 Comments

Knowing that Haiti is suffering and wanting to help, but having to be patient, is a LOT like submitting a piece of writing before you’ve perfected it. It won’t make the cut; you’ll never see your words in print.

The power of social media has become overwhelming to me since the 12th. Watching Julie & co. start and power through a relief project with Matador Network could literally bring me to tears at any second. I have never seen people come together so quickly–hundreds of individuals willing to drop everything and go help, and even more willing to give their time and resources here at home!

But Haiti needs help, energy, commitment, money, time, resources–not my tears or sentimental musings.

So here’s what I do (per usual)–I write.

How to help:

  • Donate these things
  • Read this article on Elephant Journal with a variety of ways you can spread the word.
  • Check back to http://matadorchange.com often for updates on potential volunteer efforts once Haiti is ready
  • Check out Partners in Health and donate to them – they are a wonderful organization providing healthcare to the poor who already has contacts on the ground in Haiti and have begun to assess where they can best be of service. Other reputable organizations include the Red Cross, Direct Relief International, and Doctors without Borders. Right now, Haiti needs money to allow trained professionals–those with medical and relief experience–to go in and provide quick disaster response.
  • Stay patient because Haiti needs our help now, but they will also need our help in 1 month or 5 months or maybe even 2 years.

Also, we are in the process of coordinating DC-based donations, so if you are in the area, or have friends who are, and have any of the items on the list above, please e-mail me! alyssacmartino@gmail.com

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Notes on stationary movement

January 12, 2010 · 3 Comments

Sometimes, I write (or say) things like, “I want you to remember this sentence” when really I’m the one who needs to hold onto those words.

*

Yesterday in the metro, surrounded by bundled bodies and transparency–window panes and the figurative–I start thinking: this is a place, and it is moving.

Place has been on my mind lately. When are we not consumed with place? When is a place not cluttered or beautified by us?

Place is a vague concept: home, away, here, there. All subjective in their own right. A place is a feeling–if believers in this ideal formed a  religion, I’d be beating down the door of worship.

Place is also distinctive, tangible: Syracuse, Buenos Aires, Geneva, Damascus, the corner of 19th and K–specifically, the exact piece of curb where he begs for change each morning, a sadness penetrating his eyes and drooping gray whiskers.

Some places move–like the orange line, transporting me to my office. Inside, I am nearly trampled, elbowed, annoyed by the grumbles or sighs of impatient folk, myself included.

And other places are moving to us:

We have to be moved, but we can be moved without moving.

I read this on State of Place–whose author, Brett, recently sent me a surprising e-mail. The words just stuck, the same way the grease does in pores after my commute. The same way my conversations with others echo in commemorative or haunting undertones.

I’m here. One day, I will be there. And throughout it all, I will be. I will exist. I will live, explore, move, be moved.

That’s the one stationary truth.

And that is why this is my favorite poem:

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Some retrospect on pitching

January 8, 2010 · 23 Comments

I have been overwhelmingly flattered by Julie Schwiertert Collazo’s praise on a recent Matador Change pitch I sent her.

Having connected with Julie previously, I decided to also send a note asking for feedback on this query. I had closely followed what David Miller advised in this article, along with guidelines I was given in MediaBistro class, “Intro to Freelance Writing,” and was really eager to test out my interpretation of these resources.

Julie responded that the pitch was solid, also accepting the actual article idea. She then tweeted at me, saying it had been the perfect pitch. A few minutes later I received an e-mail: people were asking about this so-called perfect pitch, and could she post it on her blog? DUH!

Julie is someone whose writing and editing expertise I greatly admire, and her compliments were a great surprise and ego-booster (Thanks again!).

Still, I want to explain what I probably knew before clicking send–

Why this pitch REALLY worked:

  1. I read Matador Network every single day. It’s in my Google Reader, and I check it religiously.
  2. As a result, I know the publication pretty well–what they’re looking for and what they aren’t. Or as Julie commented, the “mission, vision, and vibe.” I felt secure that this particular idea would appeal to Julie , and had a good sense of how to explain why (re: it’s of interest to Matadorians, it’s beneficial to the world AND self-fulfilling, etc.)
  3. It’s a topic close to my heart; I am very passionate about this idea.
  4. I also let this idea sit for about a month before writing up a pitch. I waited until I had a solid idea for how it would flow together, and knew how to concretely verbalize this.

This past weekend, my first article was published on Matador Goods. This was truly a landmark occasion for me (So much, that I actually started feeling disappointed/upset when friends and family didn’t seem to care QUITE as much as little old me. Don’t get me wrong, I have a very strong support system. But I had fireworks shooting across my eyelids–theirs were filled with the gentle burn of a lighter!)

One of the issues with this is that I’ve seen my name in print before–several times in fact, the most exciting being a 1,500 word feature in Boston’s Weekly Dig on the state income tax (truly riveting, huh?!). The milestone is that my Matador debut was also the first time I was totally self-motivated and independent–it was the first pitch I’d thought up on my own, gotten accepted, and set off to research and write.

In the past, I’ve been assigned articles, picked them off a laundry list of citywide events, and had a weekly gig reviewing the same shows. None of these experiences provided the same satisfaction as when an idea is completely yours, totally organic, and someone else believes in it enough to say, “go for it!”

I’ve certainly sent out other pitches (though they have been few), which have been rejected or ignored. And have definitely felt discouraged on occasion from cold e-mailing these queries to editors.

In fact, my first interactions with Julie were as such–having her turn away two pieces from Matador. Here’s why (in my opinion) in retrospect:

  • I wasn’t familiar enough with the community, other than having read a few standout articles
  • I didn’t have my ideas hammered out
  • I rushed in sending the drafts because I was so excited about the prospect of being published

It took me literally months to get familiar enough with Matador for my pitches to be successful. In order to yield the same acceptance rate at other publications down the road, I know what I have to do: read, read, read, be patient, and think critically. Oh and maybe find a publication with editors as kind and accepting as Matador! :)

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Thoughts from dangerously close to the left side of my brain

January 5, 2010 · 1 Comment

I have this strange tendency to refer to inanimate objects as if they have the ability to feel, hear, hurt,  love, and hate. My laptop isn’t broken, I once told a friend, it’s just sad because I left it in the car overnight.

This explanation made perfect sense to me. I’d be sad too if I’d spent all night locked in a chilly Toyota Camry–especially in the dead of winter.

Of course, my technology woes had nothing to do with the fact that I hadn’t cleaned unused files off my desktop in ages, and had let particules accumulate between the rows of the keyboard, reminding me of the dust balls I once swiffered up at a previous job.

Weeks later, I would be informed that my depressed, neglected laptop had a broken solder joint from a tumble off my bed. 75 dollars later, it was as good as new.

It’s much easier for me to understand my laptop being upset or pissed off than it is to fathom an  issue that necessitates money or time or tools to be fixed. I guess in my world, those things are more difficult to come by than say, love or generosity.

But let’s start from the beginning: I am not a science person. You know those friends with a plethora of spontaneous wisdom. “How do planes fly? How do washers wash? How do bridges hold the weight of cars?”

These are the folk who can elaborate, drawing diagrams and utilizing only the correct terminology. It’s as if they read The Way Things Work from cover to cover–a book that probably rested on a shelf in our den for close to ten years, unopened and untouched.

(via Todd Huffman)

Let’s get something straight–I’m the person asking the questions, not answering them.

*

During my sophomore year of college, I enrolled in “Introduction to Psychology,” setting out to fulfill my math and science requirements. One month passed, two months passed, and a third. I still could not understand what a neuron was. I had read the definition hundreds of times in our textbook, researched the curious little buggers on the internet, asked friends majoring in psych, my own Professor, OTHER Professors, my father, a slew of strangers on the street.

The concept just wouldn’t register. If anything, I preferred to think of neurons as little pacmans rolling around inside me. Did they eat little dots? Or have a pretty pink bow in their hair? It’s unclear.

So…multiple Ms. Pacmans are inside of me (I guess they’re cells, right??) and THEY process information? I thought the only things inside me were organs, blood, bones, and maybe whatever I ate for lunch. Perhaps some emotions– happiness, sadness, excitement, enthusiasm, depending on the day–the real reason I am a feeling, thinking being.

Case in point.

*

That same semester, I also took a class for what would become my minor: “Writing Nonfiction 1.” Now this was my kind of learning. Each week, we were given a topic–our bodies, friends, a food, a place, an event–and crafted a short memoir concerning the chosen.

I wrote about driving my beat-up Camry to Philadelphia, my Dad’s pizza, painting my room green, mormons in Salt Lake City, celebrating Hanukkah with my cousins, the sadness of old age, watching a family gaze in horror as their house burned down.

We also read. A lot–David Foster Wallace. Autobiography of  a Face. David Quamman.

“He is SUCH a rockstar,” a classmate said after Quamman visited our class for a Q&A.

At the time, Quamman was a contributing writer for National Geographic magazine. He writes. They pay. And he travels… just about everywhere–African safaris. Saudi oil decks. Antarctica.

But his piece, “Strawberries Under Ice,” was a bone-chilling wake up call to the left side of my brain:

1. The Gradient of Net Mass Balance

Antarctica is a gently domed continent squashed flat, like a dent in the roof of a Chevy, by the weight of its ice. That burden of ice amounts to seven million cubic miles. Melt it away and the Antarctic interior would bounce upward; Earth itself would change shape.

Pardon? He continues:

This grand cold fact has, to me, on the tiny and personal scale, a warm appeal. Take away ice and the topography of my own life changes drastically too.

Ah yes, a metaphor. I can do those. I may not understand science, but literary devices I can devour.

Yet Quamman dives back into a handful of scientific references, unearthing more about ice and its various technical qualities. What I probably should have said to myself upon finishing was, “CRAP!” If this was what it took to succeed as a travel writer, I had better just give up right then and there.

(via jurvetson)

By a few pages later, my heart was beating a rhythmic drum circle:

One formula scientists use to describe the relations between flow rate and those other factors is:

u = k1 sin3 ah4 + sin2 ah2

You see, to someone like me, this looks like: *Let’s scare the little creative girl with confusing numbers and symbols!*

The reality is, once I finished, “Strawberries Under Ice,” I was so impressed that I wanted to be David Quamman, not just read about him/worship him. His work links nature, science, and life through metaphor. What could be better? And it’s not as intimidating as I made it sound–especially after you have a kind professor and class full of aspiring writers to help dissect it.

The fact of the matter is, as writers/journalists/reporters/travelers, we need to be able to delve into the science of things to get to the bottom of them.

Maybe my scientific deficiency actually makes me a better writer–the fact that I can’t get what a solder joint is, even reading about it on the internet and wikipedia, and asking about 30 contenders for their own intimate encyclopedia submission on the subject .

Maybe instead of making me a sure-fire failure, this quality makes me dig deeper. Maybe this is why writers write–so we have a reason to learn, to brush away the dirt, or let the ice melt away, until something moves or changes, until we find out why it was there in the first place, until we thread the connections between how things function and how we as humans function.

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Choosing a 2D Companion

January 2, 2010 · 2 Comments

Happy New Year to me!

First Matador Network article was published on Matador Goods this afternoon. Check out “If Guidebooks Could Talk,” and please comment with feedback. Thanks everyone! I think this is a good sign for 2010…

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